Hotline Miami is one of the most violent games of recent times, and its sequel Wrong Number has managed to outdo its predecessor, so much so that it was (perhaps unsurprisingly) banned in Australia.
Why do we put difficult games on a pedestal? Perhaps it is risk, reward, and potential for loss – not the difficulty itself – that makes it exhilarating.
Rumbling out of the dingy nightclubs and bars of a nocturnal New York City easing into the early 1980s, the no wave artistic scene offered a perversion of Debbie Harry and David Byrne, rebuking new wave music at large with a nihilistic criticism bordering on parody.